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“I want Howard Eliot,” she cried, “he can sing so lovely, an’ I want Miss Gordon, she’s so comfortin’.” On the wall hung a gilt-framed portrait, which rumor said represented Ebenezer Wopp, a wreath of carefully made wax flowers, a silver coffin-plate framed and bearing the name and date of demise of Mr. Wopp’s mother, and two or three colored chromos. “This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”.
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“Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.” “No, Mosey, I must hurry and get some flowers fer school to-day.” As Mrs. Wopp was preparing for bed that night, she recalled the sensation the sight of her reckless offspring had given her. “Ma! Mamma Bennett,” he burst out as he banged open the door; “she’s coming,—our little earthquake girl! The cutest kid,—not so big as the twins, but stylisher in the face.”.
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